Next Phase Is This
The team have faced so many obstacles before. Now they tackle the tree men on Mars. Good news though, Prince Baron is back and he helped the team escape poison gas from the Tree King who tried to smoke them out of life and into death. Ming doesn’t underestimate Flash and the team and neither…
Flash escaped sudden death again and he befriended the clay men. It was scary how Azura’s men accepted becoming clay men and when they failed their mission wanted not to return to the clay phase again. It was horrible the way the changed. Very scary for 1930s and creepy. We see Zarkov and Flash team…
So Flash and Zarkov escaped the collision and both went down safely onto the ground. They discovered the Clay people’s hideout but wisely chose not to attack. They went to Azura’s palace and tested out some new equipment that can render anyone paralyzed. Now Ming is on his tail and now things have gone sour…
So Flash and Zorkov escape the highrise planks and gotten to safety but Azura sprayed them with sleeping powder and they were accosted by Ming. Dale and Hapy are in the cave of the dead clay men but they think Flash betrayed them. Flash eventually captures Ming but he escaped custody. Next thing you know…
This movie was released in 1996 but it doesn’t get a free pass for being bad. It featured a misfit computer thief, a pretty blonde agent and her partner who was secretly working for a bunch of space criminals in the future. It had a lot of violence but while violent it was P.G.and it…
So Flash and the others fought bravely against Azura’s forces but were captured by the dead clay men and knocked out with sleeping gas. Next thing you know they are in superhero uniforms and bargaining with the clay men. I see Azura’s magic has turned humans into these clays. They steered Flash to Azura’s palace…
“Don’t Let It End” is a dramatic, slow-building 1983 power ballad and progressive rock track released by Styx as a major hit single from their conceptual album Kilroy Was Here. Written by frontman Dennis DeYoung, the song opens with a gentle, melancholy acoustic guitar melody and soft piano chords before exploding into a heavy, triumphant…
“Mr. Roboto” is a highly theatrical, futuristic 1983 synth-pop and progressive rock track that served as the centerpiece for Styx’s conceptual album Kilroy Was Here. The song features an innovative, technology-driven production that blends heavy, pulsing synthesizers, digital vocoder effects, and dramatic electronic drum programming with traditional operatic rock guitars. This bold sonic pivot into…
The stakes are getting higher but the team seems to be able to weather all storms, with Dale Arden being the weak and feeble damsel in distress, needing a handsome prince to save her from all her woes at her beck and call. The guys crash land on Mars after Ming’s forces headed on their…
“Sara” is a tender, deeply melancholic 1985 synth-pop and soft-rock ballad that achieved massive commercial success, hitting number one on the Billboard charts for Starship. The song features a moody, atmospheric production built on a slow, pulsing electronic bassline, soft synthesizer pads, and an echoing digital drum beat. This slow-burning arrangement creates a quiet, reflective,…